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Greetings again from the darkness. The popularity and staying power of Karaoke shows just how much we enjoy singing. Even for those with crippling stage fright, singing in the shower can provide a bit of joy. But what about those with real talent? There is only so much room for the Adeles and Ed Sheerans of the world. Co-directors Angelique Molina and Abraham Troen take us inside the world of collegiate a cappella (singing without instrumentation). Now, you are likely to immediately think of either church choir, barbershop quartets, or Pentatonix … all fine singing choices, yet all a bit different than what the film documents.
The film follows the USC (University of Southern California) VoCals as they pursue a record sixth team win at the International Championship of Collegiate A Cappella. The ICCA has 12,000 competitors, but only one winner which is determined by judges in New York City. Of course, to reach the finals, a team must earn the right through hard work, creativity, talent, and by winning regional events.
Listening to the participants, a common theme emerges. They each felt like outsiders until they became part of the a cappella team. In their words, they found “my people”. Blending talent into beautiful art requires a lot of work … plus fundraising. We learn that the PITCH PERFECT movies and the “Glee” TV series helped make singing cool. Perhaps most importantly, the a cappella group provided a direction or a path for these outsiders. We do learn the importance of arrangements and soloists for competition, but all of this seems more about community and belonging and sharing the journey … although the reaction to NYC finals is quite telling.
Abramorama will release the film in New York City and Los Angeles on April 24th, followed by a North American theatrical rollout.
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