By Preston Barta Film Critic
Upgrade (3.5 stars)
Rated R, 95 minutes.
Opens June 1.
As normal as it’s becoming that computers, gadgets and cars are beginning to do all the heavy lifting in our lives, it’s still scary to think about all the possibilities of how technology will grow. Many films venture down these avenues and whether it’s the world being overrun by artificial intelligence or the act of uploading your consciousness to the web for fear of dying, the line between science fiction and reality is becoming increasingly blurred.
Leigh Whannell, writer-director of Insidious: Chapter 3, doesn’t claim that next big-budget genre film that will quickly fade. From the first few minutes of his deliciously spare sci-fi film, Upgrade, it’s apparent he has assembled a thoughtful human drama that uses its big concepts not solely as a vehicle for action or mind-bending plot mechanics, but to also ask some vast ethical questions about power and our existence.
Set in a not-so-distant future, Upgrade showcases the world driven by technology. It’s everywhere and steers our way of life to the point you’d almost expect Pixar’s WALL-E to roll up. But it’s more than people just having the best tech on the market. It also can be found within us. Instead of humankind creating robots to do their activities, they can put microchips in their bodies and equip themselves with firearms that, quite literally, turn your arms into gun blasters.
In the film, a mechanic named Grey Trace (Logan Marshall-Green, Prometheus) enjoys the peace of not depending on technology and burying his face in the latest devices. He enjoys working on his Trans-Am and being able to have a relationship with tangible things. His loving wife on the other hand, played by Melanie Vallejo (Winners & Losers TV series), leans on her self-driving car to get her to and from places, as well as her means to check her emails on her computer-screened tabletop and Alexa-esque home operating system.
One day, Grey needs to drop off one of the cars he fixed up to some tech whiz (Harrison Gilbertson, who looks like he’s the reincarnated James Dean). He asks his wife to join him so he can impress her with this mysterious guy’s achievements and underground lair. She immediately recognizes him as Eron, the brainchild of a company that makes advanced systems and software a la Steve Jobs and Dr. Eldon Tyrell from Blade Runner. His mannerisms and presence hint as something sinister, and from this moment, Grey and his wife’s lives change drastically.
Upgrade is a fun movie and it’s easy to get lost down its rabbit hole of wonder, but I’d rather not spoil the excitement of what happens in the next chapter of Grey’s life. To keep it super brief, it involves an implant that gives him unique abilities — like John Wick-killing abilities. It’s insane!
It’s these kinds of films that solidify their place in their genre’s time capsule. They’re not exceptionally loud or overwhelmingly explosive, and they don’t allow their sci-fi elements to overthrow the human story at its center. Upgrade is low-key and big simultaneously, and it’s a bloody good time if you are fan of clever sci-fi premises steeped in relatable drama and b-movie action.
Earlier this month at the South by Southwest Film Festival in Austin, we sat down with Whannell and stars Betty Gabriel (Get Out) and Logan Marshall-Green (Prometheus) to discuss their limitations with technology and the concept of having an implant in your body.
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