Greetings again from the darkness. A throwback to 1970’s cinema is easy to appreciate, whether it was intended or nor. Writer-director Andrew Desmond’s debut feature film certainly serves up the feel and style of so many of those low-budget horror films I watched as a youngster (many, it seemed, featured the late Roddy McDowall). Mr. Desmond and co-writer Arthur Morin (also his first feature film screenplay) likely viewed some of those same films, as this one succeeds in capturing the same creepy tone.
For some, the music they create comes from their soul … it makes them who they are. For these musicians, their obsession and quest for perfection can be off-putting to others. In an early sequence, we see young violist Rose Fisher (Freya Tingley, “Once Upon a Time”) react to news of her father’s death by shrugging and stating she wants to continue with her recording session. See, Rose’s father deserted the family when she was a toddler, and the two never spoke again. Richard Marlowe (Rutger Hauer) was an exciting and brilliant young composer when he chose to drop out and live as a recluse (think Salinger). He’s even compared to Pink Floyd founding member Syd Barrett. Rose chose to never use her genetics as a springboard to success; never even telling her manager Charles Vernais (Simon Abkarian, CASINO ROYALE) of the connection.
Rose visits Marlowe’s house, and before learning of the startling manner in which his life ended, she discovers his final composition locked away in a drawer … a violin sonata seemingly left for her to find. Neither Rose nor Charles recognize some of the non-musical symbols included on the sheet music, but it’s clear there are elements of genius in the piece. While Charles envisions piles of cash to be made by capitalizing on this situation, Rose sets about tracking down clues to the unknown symbols by exploring her father’s estate.
It should be noted that Marlowe’s “house” is actually the 19th century Cesvaine Palace, and it makes a wonderfully gothic setting for this story. This sub-genre of horror films is always best when the setting is a creepy old mansion/castle, and includes a mysterious housekeeper, other-worldly children, a leather-bound book of secrets, and a subterranean room (this one is beneath a chapel) with curious wall murals telling some forbidden legend of the occult. The only element missing here is vicious dog that pops up periodically.
The symbols lead to a French secret society, and in their own ways, both Rose and Charles learn that finishing Marlowe’s final piece will conjure the Anti-Christ. While Charles pursues greed, Rose pursues the music. Spoken words pale in comparison to the music Rose creates. Screen veteran James Faulkner appears as Sir Victor Ferdinand in a vital supporting role. While it’s a bit disappointing that the late, great Rutger Hauer has very little screen time, it’s quite enjoyable to watch Ms. Tingley carry the lead. Mr. Desmond filmed in Latvia, and delivers a film that fits quite nicely for those who enjoy the creepy throwback horror style.