Greetings again from the darkness. In the years since Frances Hodgson Burnett’s novel was first published in 1911, “The Secret Garden” has become one of the most popular and oft-read children’s books. Previous film adaptations include the 1949 version with Margaret O’Brien and Dean Stockwell, and the 1993 version with Kate Maberly and Maggie Smith. Additionally, the novel has been adapted numerous times for the stage and television. Director Marc Munden is working with the screenplay adapted by Jack Thorne (WONDER, 2017), and the two had previously collaborated on the BBC series “National Treasure”. Readers of the beloved novel will certainly recognize the changes and differences within this version, both in characters and theme.
As the film begins, we are told it’s “the eve of Partition”, which was the 1947 division of British India into two separate states: India and Pakistan. This timing is, of course, quite a bit later than Ms. Burnett’s setting, but the effect is the same – young Mary Lennox (Dixie Egerickx) is orphaned when her parents die, and left alone when the servants desert her. She is shipped off to live with an uncle (Oscar winner Colin Firth) she doesn’t know. Accompanied to massive Misselthwaite Manor by the housekeeper, Mrs. Medlock (Julie Walters), Mary quickly understands that Uncle Archibald Craven is a grieving widow (his wife was Mary’s mother’s sister) who is not to be disturbed, and his hunchback is not to be stared upon. Mary soon learns that her spoiled brat manner will not be tolerated, though her natural spunk will prove advantageous. The young girl is one who is accustomed to be waited on, while also wanting to prove her independence.
Mary’s imagination is extraordinary and she often asks, “Do you want to hear a story?” CGI effects allow us to see what she has envisioned, whether it’s the wallpaper coming to life, or her mother and aunt frolicking through the halls or swinging in the garden. Mary soon befriends Martha the maid (Isis Davis), and then happens upon “Jemima” the dog while wandering the estate grounds. It’s here where the fantastical and supernatural meet reality, and a helpful Robin leads Mary to the key that unlocks the gates of the gardens that have been locked away since Uncle’s wife died. Mary and her new friend Dickon (Amir Wilson) go on adventures through the garden – a garden which has mystical powers.
One evening Mary hears cries echoing in the halls of Misselthwaite. Despite being forbidden from exploring, she discovers her cousin Colin (Edan Hayhurst) locked away in a far off bedroom. Colin is a sickly child, supposedly stricken with a spinal problem that keeps him from going outside. Mary continues to visit Colin, and soon she and Dickon are sneaking Colin into the secret garden, where the magical healing powers begin to take hold. The titular garden doesn’t make an appearance until about one hour in, but its beauty and wonder are on full display.
This is a story about the power of loss and grief and depression, and it offers the life lesson that the things we care for blossom and grow and thrive. This version has some elements of such classics as “Peter Pan” and “The Chronicles of Narnia” in that fantasy and magic play a much larger role than in the novel. Director Munden employs a darker approach and seems to emphasize self-discovery. Young actress Dixie Egerickx was a standout in the recently watched SUMMERLAND, and she is terrific here – despite the changes to the story that some fans might not embrace. The film seems a bit disjointed at times, but it’s always a feast for the eyes, and offers up one of the year’s best scores, courtesy of Oscar winner Dario Marianelli (ATONEMENT, 2007).
Available Video on Demand August 7, 2020