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Review by James Lindorf
In the early 90s, Pop was a mainstay of the music scene, battling the rapidly growing, evolving genres of R&B and Hip Hop. Still, everyone was looking up at the explosive rise of Grunge. However, inside the Milwaukee city limits, people were also embracing the ’60s and ’70s thanks to the Neil Diamond cover band Lighting and Thunder. The duo took the city by storm and were the subject of Greg Kohs 2008 documentary “Song Sung Blue.” Now, 17 years later, it has been adapted into a biographical musical drama film written, co-produced, and directed by Craig Brewer. Focus Features will bring its version of “Song Sung Blue” to theaters everywhere this Christmas.
Mike Sardina (Hugh Jackman) is a mechanic, a Vietnam vet, a recovering alcoholic, 20 years sober, he has a trick knee, an overworked heart, and he is all performer. He uses the stage name Lighting when he works as an Elvis impersonator or as the only white member of the R&B group The Esquires. When he walks out on a job to perform as Don Ho, he meets and is enamored by Patsy Cline impersonator Claire Stingl (Kate Hudson). The two down-on-their-luck musicians develop a fast friendship, leading to a partnership in the formation of Neil Diamond tribute band Lighting and Thunder, with romance quickly following. The film follows the duo through triumphs and tragedy as they blend their families, fill out the band’s roster, and hit the road. “Song Sung Blue” also stars Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, and Jim Belushi.
“Song Sung Blue” compresses the time line of a decade’s worth of performances into what feels like only a year or two at most, though no hints are given to the actual time frame. This sets the pair on a rollercoaster of successes and medical and economic disasters, which can give viewers a bit of a yo-yo effect. The constant change in tone means that while shocking, most of the downfalls are remedied quickly enough without too much emotional impact. However, as the film nears its climax and they are riding a career high, the anticipation of the next cliff makes for the most tension I have felt in a movie this year.
The compressed timeline also impacts the relationships between the characters. Claire’s daughter Rachel (Ella Anderson) has initial reservations but quickly overcomes them, then, in a shocking move, calls Mike Papa and shares secrets with him before anyone else. They are sweet, earnest moments that are well acted; they just feel undeserved because we never saw their relationship reach this point. While that relationship is hurried, it is much better than we get with Claire’s son Dayna (Hudson Hensley) and Mike’s daughter Angelina (King Princess), who are forgotten for large portions of the film. In the end, there are only two relationships that matter: Mike and Claire, and Mike and Neil. Mike’s reverence for the singer leads to frustration, arguments, and a few thrown punches.
“Song Sung Blue” is at its best during the musical performances with Jackman and Hudson giving it their all. Brewer and cinematographer Amy Vincent add depth and shine to the small-town venues, making them feel like the biggest show in town. Overall, the story comes off a bit schmaltzy in the drama genre. Brewer wants you to be moved by their story and does all he can to guarantee that. Some will claim it is manipulation, and it may be, but he isn’t pushing an agenda; he’s making us fall in love with these strangers as they share their passion for music and each other. Brewer and “Song Sung Blue” deliver the best of Neil Diamond and a very good film, earning a 4 out of 5.
Rating: PG-13
Genre: Drama, Music
Release Date (Theaters): Dec 25, 2025
Runtime: 2h 13m
Director: Craig Brewer
Producer: John Davis, John Fox, Craig Brewer
Screenwriter: Craig Brewer
Distributor: Focus Features
Production Co: Davis Entertainment
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