Review by David Ferguson
Greetings again from the darkness. While I will never tire of seeing really cool dinosaurs on the big screen, I’ll probably never avoid frustration from a poorly written and poorly acted film. On the bright side, I got to see this at the Grand Opening of the beautiful new Alamo Drafthouse in Denton, Texas. A 66 foot curved screen with the best available sound system made the dinosaurs that much more impressive, while simultaneously exposing the acting for the disappointment it is … especially the almost impossible to watch Bryce Dallas Howard.
J.A. Bayona directs this follow up to the 2015 JURASSIC WORLD, but he’s saddled with a subpar script from the writers and director of that previous entry, Derek Connolly and Colin Trevorrow. The creatures of the late, great Michael Crichton deserve better. In addition to the aforementioned Ms. Howard (as Claire Dearing), Chris Pratt also returns as the smirking Owen Grady, and this time he flashes some fighting skills that would make Jean-Claude Van Damme proud. Not sure how his experience training baby dinosaurs and building a cabin in the mountains prepared him to single handedly take on an army of armed mercenaries, but such things are possible in a cartoon … which is exactly what this plays like: a live action cartoon with high dollar special effects.
We have a spoof of a villain in Eli Mills, played by an over-the-top Rafe Spall, a quivering techie played by Justice Smith (PAPER TOWNS), a tough Paleo vet in Daniela Pineda (MR ROOSEVELT), a dying billionaire former partner of John Hammond played by James Cromwell, a greedy capitalist who should be twirling a mustache in Toby Jones, a big-gun toting badass by Ted Levine, and a good-hearted housekeeper played by Geraldine Chaplin. Mr. Cromwell and Ms. Chaplin add a touch of class in their all too brief scenes. BD Wong is back doing things with dino DNA, and sadly, Jeff Goldblum probably filmed his two courtroom scenes in a couple of hours. One nice addition is young Isabella Sermon, in her screen debut. She is part of the only decent twist in the story.
Despite the disappointments, it remains awe-inspiring to see the dinosaurs on screen. If only those moments weren’t ruined by such superfluous bits such as a close up of Ms. Howard’s footwear to prove that she’s not wearing high heels in the jungle this time. Director Bayona has three very fine movies under his belt: THE ORPHANAGE (2007), THE IMPOSSIBLE (2012), and A MONSTER CALLS (2016). He’s likely to make more good films during his career, and this will surely be a box office smash because people love seeing the dinosaurs, and are willing to overlook the people. As a frequent movie goer, I’m just unable to cut slack to a mega-budget film that expects us to overlook shoddy writing and laughable acting. We don’t expect to recapture the (25 years ago) magic of Steven Spielberg and composer John Williams in the stunning JURASSIC PARK, but we do expect a better effort than this.