Movie Review: ‘Jane Austen Wrecked My Life’

by | May 22, 2025 | Featured Post, Movie Reviews, Movies | 0 comments


Greetings again from the darkness. Although I don’t tend to seek out the majority of romantic comedies released each year, this film’s title and backstory were enough to pique some interest. Writer-director Laura Piani was inspired to write this story during her time working (and reading) at Shakespeare and Company, a favorite haunt of writers and readers (and me) while in Paris.

Agathe (an excellent Camille Rutherford, ANATOMY OF A FALL, 2023) is a woefully unattached book seller who engages in humorous and sometimes pointed banter with Felix (Pablo Pauly), her co-worker at Shakespeare and Company. In Jane Austen terms, Agathe sees herself as an old maid, and Felix as a philandering scoundrel. She accuses him of being a master of “breadcrumbing” … her word for leading on a string of women whilst never committing. Still, as you can imagine, there is an obvious attraction between the two friends.

Felix secretly submits the first few chapters of Agathe’s novel, and to her shock, she is selected to attend a writer’s retreat at The Jane Austen Residency. It’s important to note that Agathe has no confidence as a writer and fears she will be exposed as a fraud. Felix drives her to the ferry and the two exchange their first kiss, igniting joy and excitement within Agathe. Picking her up on the other side is Oliver (Charlie Anson, DEATH ON THE NILE, 2022), who claims to be the great-great-great nephew (I forget how many ‘greats’) of Jane Austen. Agathe and Oliver have immediate personality clashes, including over the writing talent of Ms. Austen. Of course, every fan of rom-coms will recognize this as a mandatory step towards romance.
After the miserable and extended trip with Oliver, Agathe is greeted warmly by the hosts, Oliver’s parents, Beth (Liz Crowther) and Todd (Alan Fairbairn), the latter suffering from undiagnosed dementia – resulting in a few comical situations. Noting that Agathe was first inspired to begin her novel after spotting the image of a naked man in the bottom of her sake cup (the ladies version) at a restaurant, it seems only fitting that she accidently exposes her own full flesh to Oliver in a moment of absolute embarrassment.

As expected, Agathe battles a complete writing block during her stay, and it’s only at the throwback Ball where the contrast between Felix and Oliver takes center stage. Agathe and fun-loving Felix take a laugh-filled spin around the dance floor, but it’s the steamy and intense effort of Agathe and stuffy Literature Professor Oliver that keys her into what we viewers already know … thanks to the film’s best scene in a collectibles store where an awkward and enchanting exchange of personal disclosures occurs between Agathe and Oliver.

Filmmaker Piani includes a poem reading by renowned documentarian Frederick Wiseman near the end, and the film’s music adds to the artistic touches throughout. At the film’s opening, there is an incredible version of “Cry to Me” sung by Marie Modiano as Agathe dances through the shelving aisles, and beautiful piano music and a score by Peter Von Poehl add to the overall tone and feel of the story. The film contains many familiar Jane Austen tropes (although the style is more Mike Leigh than Merchant/Ivory); however, it’s a bit surprising that a few more nods to Austen’s work aren’t included. The message that Agathe learns, and the one best conveyed by the film, is that true love cannot be found until one first finds their true self.

Opens in theaters on May 23, 2025

David Ferguson
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