Josh Malerman is an American author of novels and short stories. Before publishing his debut novel Bird Box with ECCO/HarperCollins, he wrote fourteen novels, never having shopped one of them.
Being the singer/songwriter of the Detroit rock band The High Strung, Malerman toured the country for six years, as the band played an average of 250 shows a year, and Malerman wrote many of the rough drafts for these novels in the passenger seat between cities on tour. He says this about those days: “I never saw the books with dollar signs in my eyes. It was no hobby, that’s for sure, it was the real thing and always has been, but I was happy, then, simply writing, and while I blindly assumed they’d be published one day, I had no idea how something like that occurred.”
As the pile of rough drafts grew, so did the questions as to what he was planning on doing with them. Malerman often says that he lived long in a “glorious delusion” in which he took part in phantom interviews, pretended to have an agent, debated with fictitious editors, and placed invisible hardcover books upon his shelves.
It wasn’t until a friend from high school, Dave Simmer, contacted him that those delusions became reality. Simmer, having worked with authors and properties in Hollywood, asked Malerman’s permission to send one of his books to some people he knew in the book business. Malerman heartily agreed and the pair sent out Goblin, a collection of novellas that all take place in the titular city of Goblin. From there, a team was assembled and Malerman suddenly found himself speaking with a real agent and debating with actual editors. He says this of the part Simmer played in his career: “There were two things at play at that point in time; one, Dave was a ghostly benefactor, golden hearted and smart, descending from the sky to help me. And two, what may sound like some luck couldn’t have become fortunate if I wasn’t armed with a dozen novels to talk shop with.”
Twelve years after Malorie and her children rowed up the river to safety, a blindfold is still the only thing that stands between sanity and madness. One glimpse of the creatures that stalk the world will drive a person to unspeakable violence. There remains no explanation. No solution. All Malorie can do is survive—and impart her fierce will to do so on her children. Don’t get lazy, she tells them. Don’t take off your blindfold. AND DON’T LOOK.
But then comes what feels like impossible news. And with it, the first time Malorie has allowed herself to hope. Someone very dear to her, someone she believed dead, may be alive.
Malorie has already lost so much: her sister, a house full of people who meant everything, and any chance at an ordinary life. But getting her life back means returning to a world full of unknowable horrors—and risking the lives of her children again. Because the creatures are not the only thing Malorie fears: There are the people who claim to have caught and experimented on the creatures. Murmerings of monstrous inventions and dangerous new ideas. And rumors that the creatures themselves have changed into something even more frightening.
Malorie has a harrowing choice to make: to live by the rules of survival that have served her so well, or to venture into the darkness and reach for hope once more.
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