Eric Jerome Dickey was born in Memphis, Tennessee and attended the University of Memphis (the former Memphis State), where he earned his degree in Computer System Technology. In 1983, he moved to Los Angeles to pursue a career in engineering.
After landing a job in the aerospace industry as a software developer, Eric Jerome Dickey’s artistic talents surfaced, inspiring him to become an actor and a stand-up comedian. Yet Eric quickly found out that writing was something he could do and do well. From creative writing classes to avidly consuming the works of his favorite authors, Eric Jerome Dickey began to shape a writing career of his own. Having written several scripts for his personal comedy act, he started writing poetry and short stories. “The film work gave me insight into character development, the acting classes helped me understand motivation…All of it goes hand in hand,” Eric explains. He joined the IBWA (International Black Writers and Artists), participated in their development workshops, and became a recipient of the IBWA SEED Scholarship to attend UCLA’s Creative Writing classes. In 1994 his first published short story, “Thirteen,” appeared in the IBWA’s River Crossing: Voices of the Diaspora-An Anthology of the International Black Experience. A second short story, “Days Gone By,” was published in the magazine A Place to Enter.
With those successes behind him, Eric Jerome Dickey decided to fine-tune some of his earlier work and developed a screenplay called “Cappuccino.” “Cappuccino” was directed and produced by Craig Ross, Jr. and appeared in coffee houses around the Los Angeles area. In February 1998, “Cappuccino” made its local debut during the Pan African Film Festival at the Magic Johnson Theater in Los Angeles.
Eric Jerome Dickey is also the author of a six issue miniseries of comic books for Marvel Enterprises featuring Storm (X-Men) and the Black Panther. His novel Naughty or Nice has been optioned by Lionsgate Films.
Unlike their younger brother, André, whose star as a comedian is rising, neither Dwayne nor Brick Duquesne is having luck with his career—and they’re unluckier still in love. Former child star Dwayne has just been fired from his latest acting role and barely has enough money to get by after paying child support to his spiteful former lover, while Brick struggles to return to his uninspiring white-collar job after suffering the dual blows of a health emergency and a nasty breakup with the woman he still loves.
Neither brother is looking to get entangled with a woman anytime soon, but love—and lust—has a way of twisting the best-laid plans. When Dwayne tries to reconnect with his teenage son, he finds himself fighting to separate his animosity from his attraction for his son’s mother, Frenchie. And Brick’s latest source of income—chauffeur and bodyguard to three smart, independent women temporarily working as escorts in order to get back on their feet—opens a world of possibility in both love and money. Penny, Christiana, and Mocha Latte know plenty of female johns who would pay top dollar for a few hours with a man like Brick… if he can let go of his past, embrace his unconventional new family, and allow strangers to become lovers.
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