Shortly after graduating from USC with a degree in journalism, Alretha soon realized her interest in her major was not heartfelt. Instead of writing news stories, she wanted to write plays and books. Several years later, her church gave her an outlet to fulfill her writing desires through their Liturgical Fine Arts Department wherein Alretha penned twelve theatre pieces—the community response was overwhelming. This led to plays outside of the church, including Alretha’s One Woman, Two Lives, starring Kellita Smith (The Bernie Mac Show), directed by four-time NAACP Image Award Best Director recipient, Denise Dowse. The production garnered rave reviews from critics and audiences.
In between plays, Alretha’s first novel Daughter Denied was launched in 2008 and has received glowing reviews from readers and book clubs across the country. Representing her books and plays, Alretha has been the guest on many radio shows and television shows including San Francisco Public Affairs show Bay Sunday with Barbara Rodgers on CBS affiliate, KPIX Channel 5. She was also interviewed by Sam Rubin, Entertainment reporter for KTLA in Los Angeles. In 2011, Alretha launched her second novel Dancing Her Dreams Away, and it was also well received. Her third novel, Married in the Nick of Nine spawned a four-book series that was acquired by Soul Mate Publishing in January 2014. In August 2014, Alretha was awarded the Jessie Redmon Fauset Literary Award for her indie novel Four Ladies Only. In 2016, Alretha penned the Detective Rachel Storme Mystery Series: Justice for Jessica, Losing Lauren and A Penny for Her Heart. Additionally, in 2016, Alretha returned to acting and is now writing and acting full time. Her theatrical agent is Shawn Brogan of The Brogan Agency. In 2018, Alretha’s Dancing Hills Mystery Series debuted. The Women on Retford Drive is the first book in that series.
Julia Pritchard, an aging sitcom star making a comeback, and her stepdaughter, Blythe Pritchard, an aspiring attorney, form a pact to start fresh and pursue their dreams. But their plans go awry when Keith Pritchard, Julia’s soon-to-be ex-husband and Blythe’s father, goes missing and is presumed dead, the day they plan to move out of his mansion. The women are filled with bittersweet emotions when they consider the idea that Keith, a tycoon and functional alcoholic, could be out of their lives for good. Moreover, they fear the police will name them as persons of interest because of the abuse they suffered at Keith’s hands. Julia believes Keith hasn’t met with foul play but orchestrated his own disappearance, hoping the women will be blamed. However, Blythe believes her father is dead. When the police reveal a damning piece of evidence, which could result in one of them being charged with Keith’s possible murder, they join forces to find out what happened to him. Did one of the women go off script and kill Keith, or is another agenda at play, unbeknownst to the women and the police, that’s far more sinister?