Documentary Review: ‘In The Court Of The Crimson King: King Crimson At 50’

by | Nov 1, 2023 | Featured, Movie Reviews, Movies | 0 comments

Greetings again from the darkness. King Crimson was founded in 1969 and to this day, no one can properly describe their music. Even co-founder and band leader Robert Fripp avoids labeling the music and instead states, “King Crimson is a way of doing things”. Documentarian Toby Amies takes on the challenge of examining the band after 50 years.

While most associate guitarist Fripp as being the face of the band, he himself claims that it’s an ensemble and always has been. But then he also describes the years 1969 through 2013 as “wretched”, and that only with this most recent iteration has he found satisfaction. At a minimum, Fripp is a perfectionist, and it’s likely he is also a tortured genius who constantly strives for different, more, and better. He makes for a frustrating interview, and director Armies shows him mostly in various short clips, while letting current and former band members offer their opinions.

Co-founder Ian McDonald’s zoom interview is the most touching. Taking place shortly before McDonald’s passing in 2022, he breaks down and says, “I’m sorry Robert”, for leaving Fripp and King Crimson after only a year. Obviously, there was some bad blood between the two men, even after so many years. McDonald went on to co-found the band Foreigner in the 1970’s before taking on a solo career. Fripp remained with King Crimson and pursued his idea of what a band should be.

Former King Crimson bassist Trey Gunn explained being in the band was like “a low-grade infection”, while current drummer/keyboardist Bill Rieflin thrived with the band. Rieflin was performing with Stage four colon cancer and countless other health issues, yet viewed making music as what he was meant to do, right up until his passing during filming of this documentary. Numerous other former members were interviewed, and the comments range from annoyance to reverence. Current singer/guitarist Jakko is cautious about what he says so as not to cross Fripp. He cracks, “you’re irreplaceable … like the last bloke.”

It’s a unique band playing unique music – a style where each world class musician plays their part based on what fellow band members (usually 8 including 3 drummers) are playing. The result is often a peak experience for the audience, even for those who have attended many shows over the years. There is an interesting segment featuring a nun who is also a devoted fan of the band. She compares it to religion, and between the immersive music and Fripp’s commentary, we can’t help but put this in terms of philosophy, psychology, religion, and even a cult-like atmosphere. Always impeccably dressed like a British gentleman, Fripp’s obsessive discipline and demanding ways leave us with a better feel for the band, while being no closer to offering a label of description. This is not your parents’ music documentary … even if it happens to be your parents’ favorite band.

In theaters November 3, 2023 and VOD beginning December 1, 2023

David Ferguson