DIFF Documentary Review: ‘Dare To Drum’ Is A Joyous Ode To Percussionists

Greetings again from the darkness. D’Drum. Stewart Copeland. Gamelan. Most viewers might be familiar with one of these – Stewart Copeland is the world famous Rock drummer and co-founder (with Sting) of The Police. D’Drum is a Dallas area based ensemble of percussionists who have been playing together for two decades. Gamelan is the traditional percussion based music so important to Java and Bali in Indonesia.
If you are curious how these three pieces might fit together, let’s make it more challenging and unlikely by blending in world class conductor Maestro Jaap Van Zweden and the Dallas Symphony Orchestra. Yes, this really happened and the result was a show-stopping 2011 performance of “Gamelan D’Drum”, a symphony composed by Copeland, conducted by the Maestro, and performed by the D’Drum fellows and the musicians of the Dallas Symphony Orchestra.

John Bryant is one of the drumming members of D’Drum, and in very impressive fashion, he also directed, edited and produced the film. He perfectly captures the process of these passionate musicians (insert drummer joke here) and their never-ending quest for new percussion instruments, no matter the part of the world. Their multi-cultural approach led to a stage filled with dozens of instruments, including those custom-made for the performance.

Inspirational seems to fall short in describing what unfolds on screen. Mr. Copeland’s enthusiasm towards the project was obvious in the post-screening Q&A as he energetically answered any question even remotely directed his way. See, he is what one would call a courageous musician – one not intimidated by the traditions of the world of symphonies and orchestras. He understands that the foundation of art is creating something new, and he brilliantly manages this without losing the audience.

While Copeland’s creativity and D’Drums eagerness are commendable and a joy to watch, none of this happens without the (risky) support of Maestro Jaap Van Zweden. So many conductors are tied to the traditions, and hesitant at best, to take risks with music that has been played the same basic way for sometimes hundreds of years. Instead, his positive attitude and willingness to push boundaries delivered one of the most exciting evenings ever for the Dallas Symphony Orchestra … not to mention Stewart Copeland and the members of D’Drum. Should you have the opportunity to see this one, take it. And afterwards … “Do it again, man”!

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