Greetings again from the darkness. An animated, artistic, philosophical parable based on a 1923 book from a Lebanese poet … it’s as if the filmmakers went out of their way to make sure most everyone would be turned off by some aspect. Instead, director Roger Allers delivers a beautiful and thoughtful representation of nine of the 26 stories from Kahlil Gibran’s influential best-seller.
The story revolves around Mustafa, an artist and poet who was exiled seven years earlier when his words were deemed harmful to the local regime. Mustafa is informed that he will be granted his freedom to return home, and as he is escorted through town, Mustafa periodically delivers his insightful and inspiring words to the people of the land. These make up the 9 segments (Freedom, Children, Marriage, Work, Love, etc) within the movie, and each of these segments is the unique work of a different renowned artist/director. The artistic style and presentation varies between each segment, and some employ the use of music (Damien Rice, Glen Hansard).
As Mustafa recites the words of Gibran, the individual segments unfold with the artistry of each director. These blend well with the overall story which also features Mustafa’s housekeeper and her young daughter (who initially doesn’t speak). The voice acting is top notch thanks to Liam Neeson (Mustafa), Salma Hayek (the housekeeper), Quvenzhane Wallis (Almitra), John Krasinski (a lovesick guard), Alfred Molina (Sergeant), and Frank Langella (regime leader). Mr. Neeson is especially effective as the soothing voice of Gibran’s words.
This was evidently a pet project of Salma Hayek, who also is Producer of the film. She wisely enlisted director Roger Allers, who has ties to Disney and the hugely popular The Lion King. The film is Disney-esque in its approach, but is certainly not aimed at kids. It’s really a blend of the segmented structure of Fantasia, the adult-themed style of Watership Down, and the philosophical meanderings of Gandhi.
Gibran writes that “all work is noble”, and the work of these filmmakers certainly is. As with any poetry or philosophy, one must be receptive to the message and willing to be inspired. If not, it’s merely “love and flowers”.