Greetings again from the darkness. The fallout from war goes beyond the violence and massive loss of life. Returning soldiers often struggle to regain a sense of normalcy, and are often labeled as PTSD: Post Traumatic Stress Disorder. And what of the families … those left behind with a gaping hole in their heart from the loss of a loved one, and those having to adjust to the “affected” surviving soldiers? This is the heart-breaking story of two families at the convergence of all of the above.
With the Civil War ending, Wade (James Badge Dale, “The Pacific”) returns home in search of “peace”. He shows up at the house of his brother-in-law Seamus (Ethan Embrey) and is greeted with open arms by his niece Abigail (Maika Monroe, It Follows) and nephew Samuel (Owen Teague), who clearly worship him as their favorite Uncle.
Though it’s not a Hatfield and McCoys extreme, it doesn’t take long for Wade to figure out the awkward and mostly silent unbalanced relationship between Seamus’ family and the McCluskey neighbors. Randolph McCluskey (William Forsythe) is a bitter man who lost a son in the war, has an unresponsive wife (Beth Broderick) due to that loss, and two sons: Dillard (Ryan O’Nan) who is a bit slow-witted, and Marcus (Rhys Wakefield) who is far too sensitive to be accepted by his crusty old father.
Wade’s best intentions of protecting his family turn a barely tolerable arrangement into an all-out war. On top of that, we get a bit of Romeo and Juliet to go along with Wade’s slow-drip meltdown as he is simply unable to handle what the war has made him. The connection between Abigail and Marcus is exciting to watch, though we all recognize a romance facing a heavily stacked deck. Wakefield was previously seen in The Purge, and Ms. Monroe was stunning in It Follows. Both are young actors to keep an eye on.
It’s almost unbelievable to accept that this is the first feature film from director Kane Senes and his co-writer John Chriss. There is so much going on here with multiple layers of conflict and personalities … plus the movie is beautifully shot with an air of artistic flair that lightens a mood when necessary, or makes an analogy of nature and man either through plants, critters or the sky. Religious overtures play a role, and it’s fascinating to watch the various interactions … each more complex than the previous, culminating with Wade and Seamus who seemingly couldn’t be more different.
The film explores the comparison of bravery versus cowardice and it challenges our beliefs. There is also a theme of survival – just what makes a life worth living? The acting here is something to behold. All eight are exceptional and contribute to the film’s ultra-serious approach, broken by brief moments of pure joy. With a terrific and complex story, stellar acting, and a talented director, this is one that serious film goers should seek out and embrace.
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